Jesus Christ Kinski’s premise initially seems to be the recreation of a single performance by the prolific and legendarily volatile actor Klaus Kinski. After many years acting in movies (of wildly varying quality) in 1971 Kinski returned to the theatrical stage for a one-man show at Berlin’s Deutschlandhalle, a monologue entitled Jesus Christus Erlöser ("Jesus Christ the Saviour / Redeemer”). His intense performance rapidly devolved into a kind of battle between Kinski and the audience. The occasion was captured on film and released as a documentary in 2008. In the book’s first part, we are thrown directly into the performance, told in Kinski’s own voice, and moving wildly between reportage of the event itself and Myers’ invention (using words from Kinski’s autobiographies) of what may have been going through his mind.

TonyInterruptor begins with a simple enough set-piece: at a provincial jazz night, the quintessential British jazzer Sasha Keyes and “his Ensemble” are playing when their set is interrupted, not by your average heckler but by a character who seems to want to start a serious philosophical conversation, asking “Is this honest? Are we all being honest here?”. His interruption is filmed by a Gen Z attendee, India Shore, and this video (along with another detailing a backstage interraction between the band in which the character is mockingly referred to as “TonyInterruptor”) goes viral on social media. The book explores the impact of this moment in time, and its online aftermath, on a small group of characters including Keyes’ bandmates, India Shore’s parents, and the eponymous character himself.