James is, in its simplest sense, a retelling of Mark Twain's classic The Adventures of Huckleberry Finn, from the perspective of the slave Jim. The original is loved and criticised (particularly around its complex handling of race relations) in equal parts, and Everett engages with it with a similar mix of obvious love for the source material and a clear sense of purpose in its interrogation of some of its more problematic aspects.

The Fraud is a historical novel set across the nineteenth century and focusing on two apparently disconnected real-world storylines. One is the story of the Tichbourne Claimant, one of the longest trials in British legal history in which a butcher in Wagga Wagga, Australia comes forward claiming to be the presumed-dead minor British aristocrat Sir Roger Tichbourne. The other is the story of forgotten British novelist William Harrison Ainsworth, who mixes with a literary milieu including the likes of Dickens and Thackeray, has early-career success with ‘scandalous’ novels, one of which outsells Oliver Twist, but by the bulk of the novel’s story has fallen on tougher times and is something of a critical laughing stock.

The Lacuna focuses on the life of the fictional author Harrison Shepherd, beginning with his childhood in Mexico in the 1930s and taking us through to the 1950s., interacting with significant moments and characters of historical significance along the way. We learn early on that he has kept diaries for much of his life, albeit with some important gaps (one of the lacunae that the title alludes to) and while the narrative is largely told through his diaries, it is mediated by a curatorial presence, the initially mysterious “VB”, and also punctuated by press clippings both real and invented.

Erasure focuses on the author Thelonius “Monk” Ellison. In the mid-1990s, we find him in a rut with his writing, tired of being told by those around him in the publishing industry that he’s “not black enough". He’s an academic and his work reflects his own interests, such as modern retellings of Greek satires, and pissing off those around him with provocations that are of deeply niche interest - such at his lecture which parodies Barthes’ S/Z in the style of Barthes’ S/Z (a provocation to the average reader of Erasure, too, when this lecture is reproduced in exhaustive detail early in the book!) Outside of his writing, he’s dealing with everyday realities of life: a mother succumbing to Alzheimers, a brother who comes out of the closet - destroying his marriage, and a sister who pays the ultimate price for her work at an abortion clinic.

The English Patient tells the story of four very different individuals who find themselves living together in abandoned villa in Northern Italy in the final months of World War II. Hana, a young Canadian nurse, has stayed behind at the villa (previously used as an improvised hospital) to care for the badly burned titular “English Patient,” who is also suffering from amnesia.

Possession: A Romance (to give it’s full original title) is all sorts of things at once. It’s a detective story, it’s at least two love stories, it’s an incredibly literary and self-referential piece of metafiction, it’s a compendium of (masterful) imitations of various forms of Victorian writing, the list goes on… Ultimately, the heart of the story centres around the discovery of some letters by a modern-day academic, Roland Michell. These letters are the first “clue” in a trail that uncovers a previously undocumented romance between two fictional Victorian poets.