Flesh is set over most of the life of one man, István, with its main action taking place in his home country of Hungary, and London. We first meet István as a fifteen-year-old, living with his single mother in a new town. In an unsettling first chapter, István is (initially reluctantly) drawn into a sexual relationship by a much older woman, a friend of his mother’s. This relationship ends in tragedy, with István implicated in the death of her husband and subsequently serving time in a juvenile prison. The rest of the novel jumps forward in time for each chapter, often skipping significant moments in his life and focusing instead on their impact on him. Following a stint in the army during the 2003 war in Iraq, he moves to London where several chance developments lead him to a life of luxury. Up to a point, the novel seems like a classic ‘Rags to Riches’ narrative, but in its later chapters, we see István’s life gradually collapsing around him, and his eventual return to a relatively humble life in Hungary.

We Do Not Part is told from the perspective of a woman named Kyungha, an investigative journalist and writer based in Seoul. She lives alone and suffers from recurring nightmares that seem to symbolically intertwine natural elements and mass human suffering. She receives a message from her long-time friend and collaborator, a photographer, artist and filmmaker called Inseon. Inseon has been hospitalised following a woodworking accident, in which the tips of her fingers were sliced off (notably while working on a project suggested by Kyungha and inspired by her dreams, which she had asked her to stop).