The Wren, The Wren is told from the perspective of three members of the same family. We begin from the perspective of Nell, a student and latterly author of clickbait-y online journalism, who is keen to break away from her claustrophobic relationship with her mother. This perspective alternates through most of the book with that of her mother Carmel, who has raised Nell alone after a brief affair. Looming over them both is the long shadow of Carmel’s poet father Phil., a womaniser who channels most of hs useful energy into poetry and otherwise appears as something of a moral and emotional vaccum. His nature-focused poems are dotted through the book, and we also get one chapter from his perspective towards the end.

Restless Dolly Maunder is the fictionalised story of Grenville’s grandmother, with the author trying to make sense of her mother’s distant and cold impression of the former by imagining the motivations and emotions that drove her ‘restless’ life. It begins with Dolly’s childhood, on a farm in New South Wales in the late nineteenth century. Dolly is a bright and promising pupil at the local one-room school, but grows up in an era when it’s practically unheard of for women to progress in education and take on a job of their own. Her ambition to become a teacher is futile, as teachers must relinquish their role upon marriage, an inevitability for a young woman of her time. Besides, her father couldn’t bear the shame of having a working daughter! ‘Over my dead body’ is his response to her request, and a phrase that haunts Dolly for the rest of her life.

River East, River West takes the form of two parallel narratives, as two characters experience contrasting moments in the recent history of China. The more autobiographical section, set initially in 2007 (shortly before the Financial Crisis), introduces us to 14-year-old Alva, the daughter of American expat and failed actress Sloan, as she navigates being a ‘laowai’ in a Chinese high school and looks on enviously at those attending American expat schools nearby.

In Defence of the Act is told from the perspective of Jessica Miller, who is fascinated by the subject of suicide. She works in a lab which investigates suicide in animals, among colleagues she is sure have taken on that particular role with the view that their research will help understand and therefore prevent suicide in humans. Secretly, though, Jessica believes suicide may be - in some cases - a justified ‘act’ and even one which could be considered altruistic, or at least to the benefit of those who surround them. The roots of her unusual perspective are clearly in an incident in her childhood, in which she alerted her family to her father’s suicide attempt, therefore preventing it. He then went on to be consistently abusive, primarily to Jessica and her mother.

Enter Ghost follows Sonia, a 38-year-old British/Dutch actor, with Palestinian heritage, who has recently broken off an affair with a London theatre director. She decides to take some time out from her career to visit her sister, Haneen, in Haifa. The two sisters spent summers in their youth visiting family in Haifa, and the latter returned there to forge a career as an academic. Haneen introduces Sonia to her friend Mariam, a theatre director, who is in the early stages of putting on an Arabic-language production of Hamlet in the West Bank. While Sonia is initially reluctant to get involved, she is pulled in by Mariam’s bluntness and idealistic spirit and agrees to help out with rehearsals, before eventually getting swept up by the energy of the production and taking on the role of Gertrude.

Ordinary Human Failings is set in London in 1990, as a housing estate community is rocked by the death of a toddler, with suspicion quickly falling on Lucy, the 10-year old daughter of an Irish family, the Greens. A tabloid journalist, Tom, is dispatched to investigate, with a strong focus on digging up dirt on the Green family, whose outsider, reclusive status means they are the inevitable target of attention for the crime. It’s pitched as a thriller, with a mystery to be solved, and Tom is convinced he’s going to be the one to solve it. He moves the family into a small hotel, plies them with drink and looks for the inevitable trauma that has led them here, and a motive for the crime.

Soldier Sailor is a brief but intense novel told by a mother (the titular ‘Soldier’) and addressed to her son (who she calls ‘Sailor’). Its not entirely clear from what remove it’s being written - the narrative jumps around so much that it’s hard to be certain - but it focuses on Sailor’s first two or three years of life, during which the narrator is practically fighting for survival as she struggles with the everyday demands of motherhood. She is left, like so many mothers, bearing virtually all of the work of bringing up her son, while her husband goes to work, watches football, and - most egregiously of all - sleeps. Through a series of traumatic vignettes (none more so than the novel’s opening section - in which she briefly abandons her child, having written a suicide note to him) we learn of Soldier’s despairing sense of alienation from the previous version of herself, who she sees as lost to the all-consuming mother who has replaced her. Throughout, though, there is also a near-unbearable sense of the desperate love of mother for child, culminating in a lyrical, beautiful final section in which Soldier contemplates their inevitable future separation: in spite of all the trauma of the present moment, the real source of fear in her life.

The Accidental takes place mainly in a sleepy village in Norfolk, where a middle class family from Islington, London are spending their summer.  Eve Smart is the family’s mother, and a novelist who draws on real-life stories for her fiction, and is currently suffering from writer’s block.  Her partner is Michael, also a writer and a university professor in London, who is prone to infidelity with his students.  Eve’s daughters from a previous marriage (to an Adam, no less) are Astrid, a 12 year old girl with a love for photography and a delightful way with words, and Magnus, an older teenager with a scientific mind and a serious (and justified) sense of guilt hanging over him over an incident that happened before the holidays.

The Book of Form of Emptiness centres on Benny Oh, a young Canadian adolescent who has recently lost his father, the Korean-Japanese jazz musician Kenji, and now lives with his mother Annabelle. It is told by turns from the persepectives of a book (“the book”) and Benny himself, who debates with the seemingly autonomous book as it develops. Following the loss of his father (who was killed by a truck carrying live chickens as he lay passed out following a night smoking marijuana with his jazz band) Benny begins to hear voices in everyday objects. While initially harmless enough, following an incident with a pair of scissors who want him to stab his teacher, Benny is sent to a youth mental health facility. Meanwhile, Annabelle is struggling with the decline of her profession as a media monitoring researcher, and demonstrating (to Benny’s dismay) increasing tendencies towards hoarding.

The Poisonwood Bible follows the Price family, led by the missionary preacher Nathan, as they move from their home in Georgia in the US to the small village of Kilanga in what was then the Belgian Congo. While it is Nathan’s vocation that takes the family to Africa, the novel is told from the perspective of the five women of the family: the mother Oreleanna, who narrates from a retrospective position, later in life, and the four daughters of the family.

Piranesi is a fantasy novel set largely in an imaginary ‘House’, composed of seemingly infinite halls filled with unique statues. Its basement level contains an ocean, teeming with sealife, and its upper level clouds, giving it its own weather system as well as an array of birds. Other than this, its only inhabitants seem to be the titular character ‘Piranesi’ (though he knows this not to be his real name) and a mysterious ‘Other’ who Piranesi meets a few times a week. Piranesi believes himself to have always lived in the House, has no awareness of a world outside of its existence, and believes the only humans ever to have existed to have been himself, The Other, and fifteen sets of skeletal remains he has cataloged in his extensive travels through the halls.

Hamnet is a creative imagining of the story of the death of Shakespeare’s only son. Despite its title, it focuses predominantly on the bard’s wife, here called Agnes (pronounced Ann-yis, and as named in her father’s will) though typically better known as Anne Hathaway. It’s a non-linear narrative with its substantial first section moving back and forth in time between the events leading up to Hamnet’s death from the bubonic plague, and the early days of William and Agnes’ relationship, covering the birth of their three children, first Susanna, whose conception leads to their marriage, and later the twins Judith and Hamnet.

Western Lane follows Gopi, an 11-year old British-Indian Jain girl living in suburban London in the 1980s, who has recently lost her mother. Alongside her two older sisters, she is left in the care of her Pa, who is clearly also struggling with grief despite a seeming lack of emotional empathy and uncommunicative nature. Both Gopi and her Pa channel their grief into an obsession with squash, training at the titular Western Lane centre where Gopi meets Ged, a white boy with whom she becomes quietly infatuated, and his mother, with whom Pa finds a connection.

An American Marriage is focused on the marriage of a middle-class Black American couple from Atlanta, Georgia. Roy, a sales representative who has worked his way up from a relatively poor background, and Celestial, an artist who makes dolls from a more wealthy family, are introduced as newlyweds. The novel begins with a fairly domestic focus, with the pair arguing over their respective relationships with their parents and suchlike. Their lives are turned upside down when Roy is arrested and imprisoned for raping a woman in a motel, a crime he plainly did not commit, after only 18 months of marriage.

Home Fire is based on Sophocles' Antigone, in which two sisters respond differently to the repercussions of their brother's act of treason. Shamsie transplants the play's themes to the modern day, focusing on the Pasha family of Muslims based in suburban London, with the two sisters - Isma and Aneeka - responding to their brother Parvaiz moving to Syria to join ISIS (following in his late father's jihadist footsteps).

The Power is a science fiction novel based around the premise of almost all women on Earth suddenly developing an extra organ (a ‘skein’) that allows them to shoot powerful bursts of electricity from their hands. Over a very short period, the balance of power in genders shifts and the novel sets out to explore the impact of this shift on society generally and a specific cast of characters from different backgrounds and locations.

The Glorious Heresies is a darkly humorous yet moving tale set in the criminal underworld of Cork, in post-crash Ireland. It shifts perspective between five central characters, most centrally Ryan Cusack, the eldest of six siblings who has lost his mother and despite high intelligence and a talent for music has fallen into a life of low-level drug dealing, only really gaining satisfaction from his relationship with Karine.

How to Be Both tells two stories, one from the perspective of George, an intelligent 16-year-old girl living in modern-day Cambridge, and another from the perspective of a relatively minor Italian renaissance artist, Francesco del Cossa.

Pod is a distinctive novel in that it takes as its focus the lives of a series of marine creatures, notably dolphins. Its primary focus is on Ea, a spinner / ‘Longi’ dolphin who becomes detached from her peaceful and ‘civilised’ pod and finds herself among a boorish, violent pod of bottlenose dolphins, known in the book as Tersiops. Along the way we meet an array of other creatures, all with their own characteristics, including a wise old whale, a gender-switching Wrasse, giant clams and a fugu or two. Memorably, there’s also the captive bottlenose dolphin Google, who has been enslaved by humans (or ‘Anthrops’ in the novel’s parlance) for horrifying military purposes.

Trespasses tells the story of Cushla Lavery, a 24-year-old primary school teacher living on the outskirts of Belfast in 1975. She works occasional shifts in her family’s pub, managed by her brother and often stepping in for her alcoholic mother Gina. The violence and terror of Troubles-era Northern Ireland is a constant backdrop, and forms the basis of her young pupils’ life experience and their everyday vocabulary. Cushla’s town is relatively mixed compared to some more religiously segregated areas, and while her family are Catholic, their bar is frequently by a friendly mix of Catholic and Protestant drinkers, who by and large rub along well together. It’s at the bar that she meets the much older Protestant barrister Michael Agnew, with whom she begins a secret affair. In parallel, she begins to provide additional care to one of her young pupils, Davy McKeown, whose father has been maimed in an attack. Those two dominant strands of her life eventually intertwine with catastrophic consequences.