The Benefactors is a novel told in a polyphony of voices, centring on the aftermath of a sexual assault that takes place at teenage party. Much of the novel’s focus is on the families of both the victim, Misty, and the three male protagonists. The young men’s mothers, while all very different, are part of a middle-class milieu that is utterly different from that inhabited by Misty, who lives in another part of town and is part of a family used to scraping money together to make ends meet. For her own part, Misty spends some of her time camming on an OnlyFans-style site called Benefactors (or ‘Bennyz’), which is used alongside her social status as ammunition by the mothers to discredit her. The book deals with this social divide, and the way in which the odds are stacked against the likes of Misty and her family, while those with money come together to protect their own, supported by a system that can’t be beaten.

Flashlight begins with the disappearance of Serk, a Korean émigré and academic, during a walk on along the coast in a small Japanese town with his young daughter, Louisa. While Serk is presumed drowned, Louisa washes ashore hours later, traumatized and unable to recall what has happened. The books subsequently spans decades and continents, as Louisa and her American mother, Anne, struggle to cope with their grief and the mystery of his vanishing. This sits against the complex geopolitical backdrop of the late 20th century, particularly focusing on the lives of Korean immigrants in Japan and the unsettling history of North Korea.

A Guardian and a Thief introduces us to two families in a near-future version of Kolkata. This is a world ravaged by the effects of the climate crisis, with unbearable heat and extreme food shortages a daily (and worsening) fact of life, with Kolkata clearly very much at the frontline of a global crisis. We first meet Ma, her toddler daughter Mishti and elderly father Dadu. The three are a week away from a move to Michigan in the US, where they will join Ma’s husband where he has a job as a scientist. Early in the novel, however, their house is broken into and (amongst more trivial items) their passports and travel documents are stolen. The remainder of the novel is structured around the next seven days, in which they frantically attempt to ensure that they are able to proceed with their planned journey.

Audition is very much a novel of two halves. A cliche, and one which has come up more than once in my recent reading, but never more true than here. In its first part, we are introduced to an unnamed female narrator, preparing for a role in an upcoming play, in which she is notably struggling to nail a key scene. A young man, Xavier, meets her for lunch in an upmarket restaurant, having previously explained that he believes she may be his mother (a seeming impossibility as the narrator has never given birth). They are observed briefly by her husband, Tomas, an art critic, who seems somewhat weary of her affairs and is behaving a little shiftily himself.

Tell Me Everything brings together characters from across Strout’s writing career. In rural Maine, Bob Burgess (from 2013’s The Burgess Boys) finds himself taking on the case of a reclusive man who is under suspicion of the murder of his mother; also living nearby is novelist Lucy Barton, living near the coast with her ex-husband William and now firm friends with Bob; and at Bob’s suggestion Lucy also begins to visit the now nonagenarian Olive Kitteridge in her nursing home, where the two share stories and ponder on life and love.

The Persians focuses on the women from three generations of a wealthy and prestigious Iranian family, the Valiats, whose life paths bifurcated around the time of the Islamic Revolution. While sisters Shirin and Seema left (along with their brother, partners and Seema’s daughter Bita) for the USA, the family’s matriarch Elizabeth stayed behind in their homeland, as did - in more unusual circumstances - Shirin’s then six-year-old daughter Niaz.

Fundamentally is the story of Nadia, an academic of Middle Eastern origin based in the UK, who has recently been poached from her cushy job in academia to go to Iraq to lead a UN taskforce focused on deradicalising women associated with ISIS. While her new role has some honourable intent behind it, she’s also escaping dissatisfaction with her life back home, where she has been disowned by her mother for straying too far from Islam and (in related news) dumped by her English girlfriend Rosy.

All Fours focuses on a 45-year-old woman who discovers she is going through the perimenopause. The unnamed protagonist in many ways resembles July herself, having a portfolio career of artistic ‘projects’ (not a ‘household name’ but clearly admired by many) and in a comfortable marriage, from which she has a nonbinary child. At the novel’s start she is in something of a creative lull and decides that to mix things up a bit (and against her normal character) she’s going to drive to a meeting across the country in New York, rather than flying. The journey doesn’t go entirely to plan.

Good Girl centres on Nila, a 19-year-old student of Afghan refugees living in Berlin in what seems to be around the late 2000s/early 2010s. She has lost her mother and is keen to distance herself from her father, and throws herself into the Berlin clubbing scene, spending long nights and days partying, notably at ‘the Bunker’ (transparently Berghain) where she meets the much older American writer Marlowe, with whom she begins a tempestuous sort-of-relationship based around a mutual affection for art and the consumption of illicit substances.

The Ministry of Time is a science fiction romance (with distinct thriller tropes on top of that), focusing on an unnamed civil servant working for the titular government agency in a near-future version of London. She is serving as a ‘bridge’ to one of an initial batch of time travellers, who have been ‘rescued’ from various significant points in history at the moment of their historical deaths. Her ‘expat’ (the name the government gives to the travelers, politically chosen in favour of ‘refugees’) is Graham Gore, a ship commander on board Sir John Franklin’s lost expedition to the Arctic in the 1840s.

The Lesser Bohemians is told from the perspective of Eily, and 18-year-old Irish woman, newly registered at a London drama school. As she settles in to her new life in 1990s Camden Town, she attracts the attention of Stephen, an actor of some renown in his late thirties. They begin an intense, passionate and often destructively turbulent relationship. Initially, it seems like the focus may be on the imbalance of power in their age difference, and their are certainly aspects of that, but ultimately the story develops in much more complex ways as each reveals details of their traumatic past, which in sharing binds them ever closer together.

The Safekeep begins in the early 1960s in the rural Dutch province of Overijssel. We meet the book’s central character, Isabel, who lives alone in her family home, following her mother’s death. She obsessively tends to the house, while knowing she is only a temporary occupant. The house will eventually pass to her elder brother Louis, who like her other brother Hendrick has no interest in living in the house, having left and embraced city life. The three siblings meet for a dinner early in the book, at which Louis introduces his latest girlfriend Eva, to whom Isabel is openly and viciously rude. When Louis is later called away for work, he insists that Eva stay in the family home with Isabel, much to the latter’s dismay.

Brotherless Night begins in Jaffna, in the Tamil-dominated north of Sri Lanka, in the early 1980s.  Sixteen-year-old Sashi is studying hard, dreaming of going to medical school with her brothers and friend K.  Her life is slowly torn apart with the onset of the Sri Lankan Civil War. While staying with her Grandmother in Colombo in 1983, she finds herself caught up anti-Tamil riots. Her eldest brother is killed and her grandmother’s house burnt down. Subsequently two of her brothers join the Tamil Tigers, and her fourth brother briefly detained by authorities before departing for England.

The Wren, The Wren is told from the perspective of three members of the same family. We begin from the perspective of Nell, a student and latterly author of clickbait-y online journalism, who is keen to break away from her claustrophobic relationship with her mother. This perspective alternates through most of the book with that of her mother Carmel, who has raised Nell alone after a brief affair. Looming over them both is the long shadow of Carmel’s poet father Phil., a womaniser who channels most of hs useful energy into poetry and otherwise appears as something of a moral and emotional vaccum. His nature-focused poems are dotted through the book, and we also get one chapter from his perspective towards the end.

Restless Dolly Maunder is the fictionalised story of Grenville’s grandmother, with the author trying to make sense of her mother’s distant and cold impression of the former by imagining the motivations and emotions that drove her ‘restless’ life. It begins with Dolly’s childhood, on a farm in New South Wales in the late nineteenth century. Dolly is a bright and promising pupil at the local one-room school, but grows up in an era when it’s practically unheard of for women to progress in education and take on a job of their own. Her ambition to become a teacher is futile, as teachers must relinquish their role upon marriage, an inevitability for a young woman of her time. Besides, her father couldn’t bear the shame of having a working daughter! ‘Over my dead body’ is his response to her request, and a phrase that haunts Dolly for the rest of her life.

River East, River West takes the form of two parallel narratives, as two characters experience contrasting moments in the recent history of China. The more autobiographical section, set initially in 2007 (shortly before the Financial Crisis), introduces us to 14-year-old Alva, the daughter of American expat and failed actress Sloan, as she navigates being a ‘laowai’ in a Chinese high school and looks on enviously at those attending American expat schools nearby.

In Defence of the Act is told from the perspective of Jessica Miller, who is fascinated by the subject of suicide. She works in a lab which investigates suicide in animals, among colleagues she is sure have taken on that particular role with the view that their research will help understand and therefore prevent suicide in humans. Secretly, though, Jessica believes suicide may be - in some cases - a justified ‘act’ and even one which could be considered altruistic, or at least to the benefit of those who surround them. The roots of her unusual perspective are clearly in an incident in her childhood, in which she alerted her family to her father’s suicide attempt, therefore preventing it. He then went on to be consistently abusive, primarily to Jessica and her mother.

Enter Ghost follows Sonia, a 38-year-old British/Dutch actor, with Palestinian heritage, who has recently broken off an affair with a London theatre director. She decides to take some time out from her career to visit her sister, Haneen, in Haifa. The two sisters spent summers in their youth visiting family in Haifa, and the latter returned there to forge a career as an academic. Haneen introduces Sonia to her friend Mariam, a theatre director, who is in the early stages of putting on an Arabic-language production of Hamlet in the West Bank. While Sonia is initially reluctant to get involved, she is pulled in by Mariam’s bluntness and idealistic spirit and agrees to help out with rehearsals, before eventually getting swept up by the energy of the production and taking on the role of Gertrude.

Ordinary Human Failings is set in London in 1990, as a housing estate community is rocked by the death of a toddler, with suspicion quickly falling on Lucy, the 10-year old daughter of an Irish family, the Greens. A tabloid journalist, Tom, is dispatched to investigate, with a strong focus on digging up dirt on the Green family, whose outsider, reclusive status means they are the inevitable target of attention for the crime. It’s pitched as a thriller, with a mystery to be solved, and Tom is convinced he’s going to be the one to solve it. He moves the family into a small hotel, plies them with drink and looks for the inevitable trauma that has led them here, and a motive for the crime.

Soldier Sailor is a brief but intense novel told by a mother (the titular ‘Soldier’) and addressed to her son (who she calls ‘Sailor’). Its not entirely clear from what remove it’s being written - the narrative jumps around so much that it’s hard to be certain - but it focuses on Sailor’s first two or three years of life, during which the narrator is practically fighting for survival as she struggles with the everyday demands of motherhood. She is left, like so many mothers, bearing virtually all of the work of bringing up her son, while her husband goes to work, watches football, and - most egregiously of all - sleeps. Through a series of traumatic vignettes (none more so than the novel’s opening section - in which she briefly abandons her child, having written a suicide note to him) we learn of Soldier’s despairing sense of alienation from the previous version of herself, who she sees as lost to the all-consuming mother who has replaced her. Throughout, though, there is also a near-unbearable sense of the desperate love of mother for child, culminating in a lyrical, beautiful final section in which Soldier contemplates their inevitable future separation: in spite of all the trauma of the present moment, the real source of fear in her life.