Heart the Lover begins in the 1980s, when a female college student meets two witty and intelligent fellow students, Sam and Yash, who come to play a very significant role in her life. Nicknamed ‘Jordan’ by the two men, she initially falls in love with Sam but his religious nature, stuffy family and his own tempestuousness (and generally dickishness if we’re being honest) soon put paid to that. She relatively quickly falls into a seemingly healthier relationship with Yash, but when she moves to Paris to become an au pair, he is distant in more senses than just the physical and seems less willing than Jordan to commit to their future together. When she returns to the US, he fails to meet her at the airport and she decides, heartbroken (and - unknown to Yash- pregnant) that their relationship is over.

Dominion is set in the fictional small town of Dominion, Mississippi in the year 2000. The novel focuses on the Winfrey family, with the family’s patriarch Sabre Winfrey Jr. the reverend of the Seven Seals Baptist Church, as well as a locally successful entrepreneur. The Winfreys outwardly represent the pinnacle of Southern Black success and religious devotion. Behind this facade, though, is a more unflattering reality, with Sabre’s relationship with his wife Priscilla somewhat broken by his relentless infidelities and hypocrisy.

The Correspondent is an epistolary novel told via the letters from and to the 73-year-old retired lawyer Sybil Van Antwerp, mostly covering a span of her later life in the 2010s. Living in Annapolis, Maryland, she is generally an ‘ordinary woman’ who is notable primarily for her commitment to the art of letter-writing (though she does also dabble in emails where absolutely necessary). The book covers her letters to friends and relatives, and the authors of books that she loves (including a notable correspondence with Joan Didion), as well as a few more interesting interchanges that form the basis of significant plot developments.

The Others is based in a ‘small coastal city’ (modelled on Rostock) in the north of East Germany, and begins early in 1989, prior to the seismic geopolitical changes that took place over the course of that year. It focuses on a love triangle between three very different characters: at the heart of it is Lolita, a medical student from India; with Armando (a factory worker on a labour exchange from Mozambique) and Theo (an East German mechanic and aspiring writer) vying for her attention. At the start of the novel, Armando and Lolita are on an early date, accompanied by Armando’s daughter Clara (with ex-lover Petra, an East German journalist), when they come across the body of a drowned man, who apparently lost his life while attempting an escape to Denmark. Their involvement in his discovery attracts the attention of the Stasi, leading to increased tensions over their already precarious position as ‘others’ in the tightly controlled regime.

Wild Dark Shore is set on the fictional Shearwater Island (inspired by the real-world Macquarie Island) between Australia and Antarctica. Its sole inhabitants (aside from thousands of penguins and seals) are Dominic Salt and his three children. Following the departure of a group of research scientists as sea levels rise to dangerous levels, the Salt family are the sole caretakers of the world’s largest remaining seed vault. Their isolation is shattered by the arrival of the battered and barely alive body of Rowan. While the family nurse her back to health, there are evidently secrets on both sides. Rowan is both drawn to Dominic and his children and repelled by a succession of discoveries that raise suspicions.

The Benefactors is a novel told in a polyphony of voices, centring on the aftermath of a sexual assault that takes place at teenage party. Much of the novel’s focus is on the families of both the victim, Misty, and the three male protagonists. The young men’s mothers, while all very different, are part of a middle-class milieu that is utterly different from that inhabited by Misty, who lives in another part of town and is part of a family used to scraping money together to make ends meet. For her own part, Misty spends some of her time camming on an OnlyFans-style site called Benefactors (or ‘Bennyz’), which is used alongside her social status as ammunition by the mothers to discredit her. The book deals with this social divide, and the way in which the odds are stacked against the likes of Misty and her family, while those with money come together to protect their own, supported by a system that can’t be beaten.

Flashlight begins with the disappearance of Serk, a Korean émigré and academic, during a walk on along the coast in a small Japanese town with his young daughter, Louisa. While Serk is presumed drowned, Louisa washes ashore hours later, traumatized and unable to recall what has happened. The books subsequently spans decades and continents, as Louisa and her American mother, Anne, struggle to cope with their grief and the mystery of his vanishing. This sits against the complex geopolitical backdrop of the late 20th century, particularly focusing on the lives of Korean immigrants in Japan and the unsettling history of North Korea.

A Guardian and a Thief introduces us to two families in a near-future version of Kolkata. This is a world ravaged by the effects of the climate crisis, with unbearable heat and extreme food shortages a daily (and worsening) fact of life, with Kolkata clearly very much at the frontline of a global crisis. We first meet Ma, her toddler daughter Mishti and elderly father Dadu. The three are a week away from a move to Michigan in the US, where they will join Ma’s husband where he has a job as a scientist. Early in the novel, however, their house is broken into and (amongst more trivial items) their passports and travel documents are stolen. The remainder of the novel is structured around the next seven days, in which they frantically attempt to ensure that they are able to proceed with their planned journey.

Audition is very much a novel of two halves. A cliche, and one which has come up more than once in my recent reading, but never more true than here. In its first part, we are introduced to an unnamed female narrator, preparing for a role in an upcoming play, in which she is notably struggling to nail a key scene. A young man, Xavier, meets her for lunch in an upmarket restaurant, having previously explained that he believes she may be his mother (a seeming impossibility as the narrator has never given birth). They are observed briefly by her husband, Tomas, an art critic, who seems somewhat weary of her affairs and is behaving a little shiftily himself.

Tell Me Everything brings together characters from across Strout’s writing career. In rural Maine, Bob Burgess (from 2013’s The Burgess Boys) finds himself taking on the case of a reclusive man who is under suspicion of the murder of his mother; also living nearby is novelist Lucy Barton, living near the coast with her ex-husband William and now firm friends with Bob; and at Bob’s suggestion Lucy also begins to visit the now nonagenarian Olive Kitteridge in her nursing home, where the two share stories and ponder on life and love.

The Persians focuses on the women from three generations of a wealthy and prestigious Iranian family, the Valiats, whose life paths bifurcated around the time of the Islamic Revolution. While sisters Shirin and Seema left (along with their brother, partners and Seema’s daughter Bita) for the USA, the family’s matriarch Elizabeth stayed behind in their homeland, as did - in more unusual circumstances - Shirin’s then six-year-old daughter Niaz.

Fundamentally is the story of Nadia, an academic of Middle Eastern origin based in the UK, who has recently been poached from her cushy job in academia to go to Iraq to lead a UN taskforce focused on deradicalising women associated with ISIS. While her new role has some honourable intent behind it, she’s also escaping dissatisfaction with her life back home, where she has been disowned by her mother for straying too far from Islam and (in related news) dumped by her English girlfriend Rosy.

All Fours focuses on a 45-year-old woman who discovers she is going through the perimenopause. The unnamed protagonist in many ways resembles July herself, having a portfolio career of artistic ‘projects’ (not a ‘household name’ but clearly admired by many) and in a comfortable marriage, from which she has a nonbinary child. At the novel’s start she is in something of a creative lull and decides that to mix things up a bit (and against her normal character) she’s going to drive to a meeting across the country in New York, rather than flying. The journey doesn’t go entirely to plan.

Good Girl centres on Nila, a 19-year-old student of Afghan refugees living in Berlin in what seems to be around the late 2000s/early 2010s. She has lost her mother and is keen to distance herself from her father, and throws herself into the Berlin clubbing scene, spending long nights and days partying, notably at ‘the Bunker’ (transparently Berghain) where she meets the much older American writer Marlowe, with whom she begins a tempestuous sort-of-relationship based around a mutual affection for art and the consumption of illicit substances.

The Ministry of Time is a science fiction romance (with distinct thriller tropes on top of that), focusing on an unnamed civil servant working for the titular government agency in a near-future version of London. She is serving as a ‘bridge’ to one of an initial batch of time travellers, who have been ‘rescued’ from various significant points in history at the moment of their historical deaths. Her ‘expat’ (the name the government gives to the travelers, politically chosen in favour of ‘refugees’) is Graham Gore, a ship commander on board Sir John Franklin’s lost expedition to the Arctic in the 1840s.

The Lesser Bohemians is told from the perspective of Eily, and 18-year-old Irish woman, newly registered at a London drama school. As she settles in to her new life in 1990s Camden Town, she attracts the attention of Stephen, an actor of some renown in his late thirties. They begin an intense, passionate and often destructively turbulent relationship. Initially, it seems like the focus may be on the imbalance of power in their age difference, and their are certainly aspects of that, but ultimately the story develops in much more complex ways as each reveals details of their traumatic past, which in sharing binds them ever closer together.

The Safekeep begins in the early 1960s in the rural Dutch province of Overijssel. We meet the book’s central character, Isabel, who lives alone in her family home, following her mother’s death. She obsessively tends to the house, while knowing she is only a temporary occupant. The house will eventually pass to her elder brother Louis, who like her other brother Hendrick has no interest in living in the house, having left and embraced city life. The three siblings meet for a dinner early in the book, at which Louis introduces his latest girlfriend Eva, to whom Isabel is openly and viciously rude. When Louis is later called away for work, he insists that Eva stay in the family home with Isabel, much to the latter’s dismay.

Brotherless Night begins in Jaffna, in the Tamil-dominated north of Sri Lanka, in the early 1980s.  Sixteen-year-old Sashi is studying hard, dreaming of going to medical school with her brothers and friend K.  Her life is slowly torn apart with the onset of the Sri Lankan Civil War. While staying with her Grandmother in Colombo in 1983, she finds herself caught up anti-Tamil riots. Her eldest brother is killed and her grandmother’s house burnt down. Subsequently two of her brothers join the Tamil Tigers, and her fourth brother briefly detained by authorities before departing for England.

The Wren, The Wren is told from the perspective of three members of the same family. We begin from the perspective of Nell, a student and latterly author of clickbait-y online journalism, who is keen to break away from her claustrophobic relationship with her mother. This perspective alternates through most of the book with that of her mother Carmel, who has raised Nell alone after a brief affair. Looming over them both is the long shadow of Carmel’s poet father Phil., a womaniser who channels most of hs useful energy into poetry and otherwise appears as something of a moral and emotional vaccum. His nature-focused poems are dotted through the book, and we also get one chapter from his perspective towards the end.

Restless Dolly Maunder is the fictionalised story of Grenville’s grandmother, with the author trying to make sense of her mother’s distant and cold impression of the former by imagining the motivations and emotions that drove her ‘restless’ life. It begins with Dolly’s childhood, on a farm in New South Wales in the late nineteenth century. Dolly is a bright and promising pupil at the local one-room school, but grows up in an era when it’s practically unheard of for women to progress in education and take on a job of their own. Her ambition to become a teacher is futile, as teachers must relinquish their role upon marriage, an inevitability for a young woman of her time. Besides, her father couldn’t bear the shame of having a working daughter! ‘Over my dead body’ is his response to her request, and a phrase that haunts Dolly for the rest of her life.