One Boat is told from the perspective of Teresa, a contract lawyer and aspiring author from the UK. She has recently lost her father and is making a return visit to the same Greek coastal town she visited after the death of her mother nine years before. The novel jumps back and forth between Teresa’s encounters with the same characters nine years apart: notably Xanthe, the owner of a cafe she frequents; Niko, a younger diving instructor with whom she had an affair on her first visit but is now married with a daughter; and Petros, a long-time resident also originally from the UK with whom she has lengthy philosophical conversations. There’s also a focus on another Englishman, John, who she met on her first visit and who told her of his anger and desire for revenge for the violent death of his nephew.

Seascraper begins by introducing us to Thomas Flett, a young man in a Northern English coastal town in the 1960s who works in the seemingly already slightly anachronistic profession of a “shanker”, using a horse and cart to collect shrimp in often hazardous conditions from a beach littered with “sinkpits”. He lives with his mother, who had him as a teenager and has been shunned by the local community. She relies on him to earn money, which he does through his unsociable, repetitive and physically exhausting work.

The Offing takes place one summer in the years after the Second World War, in North-East England. Robert Appleyard, a sixteen year old from a Durham mining town, has finished his compulsory education and before he begins his expected path in life, following his lineage of male relatives into a mining career, he sets off on a journey south along the North Sea coast, aiming only to see more of the world outside of his small town. After a period sleeping under the stars, completing manual labour for those he meets along the way to pay for food, he stumbles upon a dilapidated cottage in the vicinity of Robin Hood’s Bay inhabited only by the bohemian Dulcie Piper and her dog Butler.

Playground focuses primarily on four characters, who we know will come to share a connection. In Montreal, Evie Beaulieu is introduced in dramatic fashion, as a 12-year-old plunging to the bottom of a swimming pool, strapped to one of the first aqualungs by her father, and grows to love the ocean and everything connected to it. In Chicago, two super-smart kids with vastly differing backgrounds bond at an elite high school over their love of sophisticated board games. And finally there’s Ina Aroita, who has to my memory a far less memorable introduction, but is apparently considered to be one of the four main players also.

Pod is a distinctive novel in that it takes as its focus the lives of a series of marine creatures, notably dolphins. Its primary focus is on Ea, a spinner / ‘Longi’ dolphin who becomes detached from her peaceful and ‘civilised’ pod and finds herself among a boorish, violent pod of bottlenose dolphins, known in the book as Tersiops. Along the way we meet an array of other creatures, all with their own characteristics, including a wise old whale, a gender-switching Wrasse, giant clams and a fugu or two. Memorably, there’s also the captive bottlenose dolphin Google, who has been enslaved by humans (or ‘Anthrops’ in the novel’s parlance) for horrifying military purposes.

Sacred Hunger is a 620-page epic centred around the a slave ship, the Liverpool Merchant, in the 1750 and 60s. The ship is owned by the Kemp family, with the younger Erasmus Kemp one of its principle players. His cousin, against whom Erasmus bears a childhood grudge, Matthew Paris, has recently been released from a prison sentence for spreading proto-Darwinist propaganda, a crime which also inadvertently led to the death of his wife Ruth. He elects to join the crew of the Merchant as ship’s doctor, as a form of penitence and attempt to escape from his former life, much to the chagrin of the vessels’ terrifying commander, Captain Thurso.

Oscar and Lucinda describes the lives of two very different characters whose lives become intertwined when they meet on a long sea journey to Australia in the mid nineteenth century and discover a shared passion for the (then illicit) world of gambling. Oscar Hopkins is a devout Christian, from an evangelical background with a memorably fanatical father, who converts to Anglicanism, which while relatively moderate, still is very much unable to tolerate his increasing addiction to the card table and racecourse. Lucinda Laplastrier is an Australian orphan and heiress who ploughs her fortune into a glass factory. When their paths cross, a mutual love develops between the unlikely pair, but despite them ending up cohabiting, it remains tragically unspoken.

Rites of Passage kicks off the 1980s by taking us back in time to the start of the nineteenth century. The aristocratic Edmund Talbot embarks upon a long voyage to Australia, and keeps a journal to amuse his godfather back home in England. In cramped quarters on a dilapidated warship, he recounts tales of the ship’s varied inhabitants from all classes of society, in a witty and extremely lively narrative that prods and interrogates the structures and conflicts of the English class system in microcosm.

Charles Arrowby, a successful and somewhat famous theatre director and playwright, abandons his career and London life and social circle for a solitary life by the sea, in a strange and somewhat dilapidated house.