Kingfisher tells the story of an unnamed queer man, a writer and university employee whose relationship with his partner Michael (a successful gym entrepreneur) is falling apart at the same time as he becomes obsessed with a female colleague (and far more successful writer) known as ‘the poet’, with whom he begins a complex relationship. His mother, Hetty, treated him badly in childhood in ways that are not fully explained and persists in expressing her homophobia. She is in a nursing home and he occasionally makes grudging visits to her with Michael. As the book develops, he ends his relationship with Michael and spends more and more time with the poet. Hetty becomes critically ill and the narrator decides against seeing her before her death, but as the poet suffers a re-emergence of her prior breast cancer, he effectively becomes a carer to her. Their complex relationship becomes the inspiration for him to restart his writing and leads to him securing a significant book deal.

Heart the Lover begins in the 1980s, when a female college student meets two witty and intelligent fellow students, Sam and Yash, who come to play a very significant role in her life. Nicknamed ‘Jordan’ by the two men, she initially falls in love with Sam but his religious nature, stuffy family and his own tempestuousness (and generally dickishness if we’re being honest) soon put paid to that. She relatively quickly falls into a seemingly healthier relationship with Yash, but when she moves to Paris to become an au pair, he is distant in more senses than just the physical and seems less willing than Jordan to commit to their future together. When she returns to the US, he fails to meet her at the airport and she decides, heartbroken (and - unknown to Yash- pregnant) that their relationship is over.

The Rest of Our Lives focuses on the 50-something law professor Tom Layward, based in New York with his wife Amy and about to see their youngest child Miri off to college in Pittsburgh. We learn early on in the novel that Amy had cheated on Tom over a decade ago, at which point he had privately vowed to leave her after their children had both left home. As they prepare for Miri’s departure, both experience some degree of ‘empty nester’ anxiety and Amy decides to stay home rather than face the emotional trauma first-hand.

Maps of Our Spectacular Bodies is a unique read, flitting back and forth between its protagonist Lia (a mother, wife and creative who has just received a terminal cancer diagnosis) and an unnamed second narrator who may or may not be the cancer itself. It plays with the novel form both in this sense and in its heavy borrowings from the world of poetry, with the text often deviating wildly from novelistic convention and into visual / concrete poetry modes. It’s drawn from personal experience of losing a mother to cancer, and amongst the formal experimentation is a relatively familiar and yet deeply emotive story of coming to terms with (or failing to come to terms with) death and reflecting on life - both the good and the bad.