The Disappearers takes as its starting point a 1988 clandestine theatre group, a rather disparate selection of local gay men who answered the coded call to audition for a production of Canadian playwright John Herbert's prison-set drama, Fortune and Men's Eyes, directed by the veteran Cambridge-educated Havelock Titus. Its first section is narrated by the white-passing Belgian-Jamaican youth Eddy Porteous, who has (compared at least to his peers) a relatively straightforward home life, and sits kind of on the periphery of the group, some of whom have prior connections and are at least generally more immersed in the real-world realities of living as a gay man in Jamaica. He develops a fascination with the beautiful half-Chinese Mat Chin, and begins to notice the difficulties experienced by another fellow actor, Jordan Brown. By a quirk of fate, Porteous misses the rehearsal on the night when it is overrun by a bloodthirsty homophobic mob, inspired by (and ring-led by) the local dancehall artist Streggeh Don, whose hate-filled hit ‘Batty is not Pussy’ has become something of an anthem for many of the worst elements of Jamaican society.

The Mercy Step is a coming-of-age novel focusing on Mercy Hanson, the daughter of Windrush generation immigrants, from her premature birth in 1962 in Bradford through to her early teens. The book is narrated from Mercy’s perspective, starting in the womb and then in early months in hospital with ‘New Monya’. From an early age, she’s evidently a gifted and perceptive child and feels disconnected from the rest of her siblings, instead finding solace in chats on her ‘mercy step’ with her Dolly. She nonetheless feels closely tethered to her mother, a bond which is tested throughout the book by her inability to fight back against her abusive and generally unpleasant husband, Mercy’s Daddy, by her blind devotion to her religion, and by the general strains of being a struggling mother of many children. By the end of the book we find out whether she’s able to cut the cord from her mother and make her own way in life.

If I Survive You is a mostly linked short story collection, based on the immigrant experience of a Jamaican family who moved to Miami following the turbulence in their home country in the 1970s. For much of the book, our focus is the somewhat autobiographical-seeming life of Trelawny, the family’s younger son, though we do also get stories told from the perspective of his father, his older brother Delano, and in the biggest departure of the collection, his cousin Cukie. The book deals with the struggle of survival in the face of everyday racism in the US, exacerbated by crises both personal and national - the latter including the major (and disproportionately racialised) impact of Hurricane Andrew and the 2008 Financial Crisis.

A Brief History of Seven Killings is about an attempt on the life of Bob Marley in 1976. Except, of course, it’s about far more than that. It’s also far from brief at almost 700 dense pages, and covers considerably more than seven killings, typically in graphic and visceral detail. It’s actually about several decades of complex and violent Jamaican history, told through a multiplicity of voices from gang leaders to politicians, journalists and seemingly peripheral “ordinary” people. Oh, and a ghost. Because of course.