A Guardian and a Thief introduces us to two families in a near-future version of Kolkata. This is a world ravaged by the effects of the climate crisis, with unbearable heat and extreme food shortages a daily (and worsening) fact of life, with Kolkata clearly very much at the frontline of a global crisis. We first meet Ma, her toddler daughter Mishti and elderly father Dadu. The three are a week away from a move to Michigan in the US, where they will join Ma’s husband where he has a job as a scientist. Early in the novel, however, their house is broken into and (amongst more trivial items) their passports and travel documents are stolen. The remainder of the novel is structured around the next seven days, in which they frantically attempt to ensure that they are able to proceed with their planned journey.

Audition is very much a novel of two halves. A cliche, and one which has come up more than once in my recent reading, but never more true than here. In its first part, we are introduced to an unnamed female narrator, preparing for a role in an upcoming play, in which she is notably struggling to nail a key scene. A young man, Xavier, meets her for lunch in an upmarket restaurant, having previously explained that he believes she may be his mother (a seeming impossibility as the narrator has never given birth). They are observed briefly by her husband, Tomas, an art critic, who seems somewhat weary of her affairs and is behaving a little shiftily himself.

The Loneliness of Sonia and Sunny is an epic family saga centring on the lives of Sonia Shah and Sunny Bhatia, two young people from India whose paths intertwine. The story is initiated by a clumsy and half-hearted failed attempt to engineer an arranged marriage between the two by their neighbouring families in India. Sonia, an aspiring novelist who has been studying in Vermont, returns home to India after a deeply troubling relationship in New York with a memorably deranged and controlling older artist named Ilan de Toorjen Foss. She is haunted by this encounter, believing he may have cast a "dark spell" on her (which manifests - seemingly physically - as a ‘ghost hound’ later in the novel). Sunny, a struggling journalist, is working for the Associated Press in New York City, living in Brooklyn with his American girlfriend Ulla. He too returns to his home country, initially to help his friend Satya in his own attempts to secure an arranged marriage.

The Rest of Our Lives focuses on the 50-something law professor Tom Layward, based in New York with his wife Amy and about to see their youngest child Miri off to college in Pittsburgh. We learn early on in the novel that Amy had cheated on Tom over a decade ago, at which point he had privately vowed to leave her after their children had both left home. As they prepare for Miri’s departure, both experience some degree of ‘empty nester’ anxiety and Amy decides to stay home rather than face the emotional trauma first-hand.

The South is the first book in a planned quartet that centres on a family navigating a period of significant change both in Malaysia and in their own lives. The main events of the novel are set around 1997 and the Asian financial crisis, following the Lim family as they travel from their home in Kuala Lumpur to a dilapidated farm they have inherited in Johor, southern Malaysia. The central plot of the novel revolves around 16-year-old Jay's coming-of-age and sexual awakening. On the farm, he meets Chuan, the son of the farm's manager, and a transformative relationship develops between them over the course of the summer.

Flesh is set over most of the life of one man, István, with its main action taking place in his home country of Hungary, and London. We first meet István as a fifteen-year-old, living with his single mother in a new town. In an unsettling first chapter, István is (initially reluctantly) drawn into a sexual relationship by a much older woman, a friend of his mother’s. This relationship ends in tragedy, with István implicated in the death of her husband and subsequently serving time in a juvenile prison. The rest of the novel jumps forward in time for each chapter, often skipping significant moments in his life and focusing instead on their impact on him. Following a stint in the army during the 2003 war in Iraq, he moves to London where several chance developments lead him to a life of luxury. Up to a point, the novel seems like a classic ‘Rags to Riches’ narrative, but in its later chapters, we see István’s life gradually collapsing around him, and his eventual return to a relatively humble life in Hungary.

Jesus Christ Kinski’s premise initially seems to be the recreation of a single performance by the prolific and legendarily volatile actor Klaus Kinski. After many years acting in movies (of wildly varying quality) in 1971 Kinski returned to the theatrical stage for a one-man show at Berlin’s Deutschlandhalle, a monologue entitled Jesus Christus Erlöser ("Jesus Christ the Saviour / Redeemer”). His intense performance rapidly devolved into a kind of battle between Kinski and the audience. The occasion was captured on film and released as a documentary in 2008. In the book’s first part, we are thrown directly into the performance, told in Kinski’s own voice, and moving wildly between reportage of the event itself and Myers’ invention (using words from Kinski’s autobiographies) of what may have been going through his mind.

The Land in Winter takes place in a remote community in the West Country of England during the famously harsh winter of 1962-63 (known as the ‘Big Freeze’). It focuses on two couples, neighbours separated by a field. Eric Parry is a local doctor, well-established in the community and married to Irene. They’re ostensibly a picture-perfect upper middle class couple, hosting dinner parties and very much conscious of their elevated status in their small community. The farm nearby has recently been bought by Bill Simmons, on something of a whim. He lives there with his relatively modern young wife Rita, who is adapting from her previous party life in the bars and clubs of Bristol. While Bill is also not exactly poor, he’s from an immigrant family (though not obviously) and the status of ‘farmer’ in the 1960s still very much carried an implication of lower social status than the Parrys. While Eric and Bill struggle to connect (or even really contemplate that they would), their wives are both pregnant and begin to form an unlikely bond.

One Boat is told from the perspective of Teresa, a contract lawyer and aspiring author from the UK. She has recently lost her father and is making a return visit to the same Greek coastal town she visited after the death of her mother nine years before. The novel jumps back and forth between Teresa’s encounters with the same characters nine years apart: notably Xanthe, the owner of a cafe she frequents; Niko, a younger diving instructor with whom she had an affair on her first visit but is now married with a daughter; and Petros, a long-time resident also originally from the UK with whom she has lengthy philosophical conversations. There’s also a focus on another Englishman, John, who she met on her first visit and who told her of his anger and desire for revenge for the violent death of his nephew.

Universality begins with a long first section written in the style of a journalistic ‘long read’. It recounts the tale of a crime which took place at an illegal rave on a Yorkshire farm, in which the leader of a radical anarchist movement is bludgeoned with a gold bar by a young man called Jake. In the article, presented as a kind of moral parable about class and wealth based divisions in our society, we are introduced to Jake’s mother, a populist ‘anti-Woke’ columnist who goes by the name of Lenny. We additionally meet Richard Spencer, the owner of the farm whose gold bar was used in the crime. He’s a wealthy banker who is presented as symptomatic of the ills of capitalism.

Seascraper begins by introducing us to Thomas Flett, a young man in a Northern English coastal town in the 1960s who works in the seemingly already slightly anachronistic profession of a “shanker”, using a horse and cart to collect shrimp in often hazardous conditions from a beach littered with “sinkpits”. He lives with his mother, who had him as a teenager and has been shunned by the local community. She relies on him to earn money, which he does through his unsociable, repetitive and physically exhausting work.

TonyInterruptor begins with a simple enough set-piece: at a provincial jazz night, the quintessential British jazzer Sasha Keyes and “his Ensemble” are playing when their set is interrupted, not by your average heckler but by a character who seems to want to start a serious philosophical conversation, asking “Is this honest? Are we all being honest here?”. His interruption is filmed by a Gen Z attendee, India Shore, and this video (along with another detailing a backstage interraction between the band in which the character is mockingly referred to as “TonyInterruptor”) goes viral on social media. The book explores the impact of this moment in time, and its online aftermath, on a small group of characters including Keyes’ bandmates, India Shore’s parents, and the eponymous character himself.

The Accidental Immigrants is set on the Mediterranean island of St. Mira. It’s an independent country with historic ties to Greece but also a sizeable post-colonial British presence. In the wake of financial crises and an ineffective centrist government, it has also recently seen the rise of a nativist political party, the ‘Firsters’. When a bomb goes off at a British military base on the island just weeks before a general election, everything falls into place for a whitewash for the Firsters. Our focal points on the island are Tess, a translator with both St. Miran and British roots, and her partner Arlo, a Brit teaching the ‘Life in the UK’ course to St. Miran residents who want to emigrate to his home country. As the Firsters sweep to power, and immediately introduce new laws targeting foreigners on the island, Tess and Arlo find themselves strangers in the land they have made their home for years.

The Fathers introduces us to its titular characters in a Glasgow hospital where both have just given birth to a baby boy. For Dan, a fortysomething TV writer living in the affluent West End of Glasgow, this is his first child with Grace, after a lengthy period of IVF and therefore seen as somewhat miraculous and awe-inspiring. Jada, a small-time criminal, by contrast, is welcoming his fifth (or is it sixth?) child Jayden (or is it Cayden?) with his young girlfriend Nicola. A chance meeting in the hospital corridor seems initially comic and inconsequential, but a tragic sequence of events will draw the two families together in unexpected ways.

The Offing takes place one summer in the years after the Second World War, in North-East England. Robert Appleyard, a sixteen year old from a Durham mining town, has finished his compulsory education and before he begins his expected path in life, following his lineage of male relatives into a mining career, he sets off on a journey south along the North Sea coast, aiming only to see more of the world outside of his small town. After a period sleeping under the stars, completing manual labour for those he meets along the way to pay for food, he stumbles upon a dilapidated cottage in the vicinity of Robin Hood’s Bay inhabited only by the bohemian Dulcie Piper and her dog Butler.

Tell Me Everything brings together characters from across Strout’s writing career. In rural Maine, Bob Burgess (from 2013’s The Burgess Boys) finds himself taking on the case of a reclusive man who is under suspicion of the murder of his mother; also living nearby is novelist Lucy Barton, living near the coast with her ex-husband William and now firm friends with Bob; and at Bob’s suggestion Lucy also begins to visit the now nonagenarian Olive Kitteridge in her nursing home, where the two share stories and ponder on life and love.

Olive Kitteridge is a short story cycle covering several decades in the lives of the inhabitants of a rural Maine community. One character is common throughout the collection’s stories, the indomitable Olive, a retired schoolteacher, matriarch, and pillar (of sorts) of the local community. She is central to many of the stories, an important piece of the plot in others, and entirely peripheral to a few others. It’s superficially an odd kind of assemblage, betraying in some senses its roots as a collection of short stories published by Strout over the course of the whole of the 90s and 2000s. But it does contain narrative progression, its throughline being in the development of its lead character, who in the course of the book sees her son twice married, her husband incapacitated and later passing away, and the beginnings of an unlikely later-life relationship.

The Möbius Book is a neither straightforwardly Lacey’s fifth novel, nor entirely not. It is a work in two parts, one ostensibly fiction and the other memoir, in its printed form designed to be read in whichever order the reader chooses, with neither presented as the ‘correct’ choice. In the the digital ARC I read, the first part is the fictional narrative, which concerns two friends - Marie and Edie - who meet at the former’s flat in the wake of their respective painful breakups (Marie with her ex-wife K, with whom she co-parented two children; Edie from an abusive partner), both choosing to ignore the blood seeping through Marie’s neighbour’s door.

The Persians focuses on the women from three generations of a wealthy and prestigious Iranian family, the Valiats, whose life paths bifurcated around the time of the Islamic Revolution. While sisters Shirin and Seema left (along with their brother, partners and Seema’s daughter Bita) for the USA, the family’s matriarch Elizabeth stayed behind in their homeland, as did - in more unusual circumstances - Shirin’s then six-year-old daughter Niaz.

Parallel Lines has at its centre two characters: Olivia, a documentarian making a radio series about possible world-ending catastrophes, and Sebastian, a man in his fifth year of therapy with Olivia’s father, Dr. Martin Carr. It’s not giving too much away to reveal that the two lead characters, up to this point in their lives living ‘parallel’ but (almost) entirely separate existences, share a much deeper connection, which is revealed through the novel’s events.