Heart the Lover begins in the 1980s, when a female college student meets two witty and intelligent fellow students, Sam and Yash, who come to play a very significant role in her life. Nicknamed ‘Jordan’ by the two men, she initially falls in love with Sam but his religious nature, stuffy family and his own tempestuousness (and generally dickishness if we’re being honest) soon put paid to that. She relatively quickly falls into a seemingly healthier relationship with Yash, but when she moves to Paris to become an au pair, he is distant in more senses than just the physical and seems less willing than Jordan to commit to their future together. When she returns to the US, he fails to meet her at the airport and she decides, heartbroken (and - unknown to Yash- pregnant) that their relationship is over.

Flashlight begins with the disappearance of Serk, a Korean émigré and academic, during a walk on along the coast in a small Japanese town with his young daughter, Louisa. While Serk is presumed drowned, Louisa washes ashore hours later, traumatized and unable to recall what has happened. The books subsequently spans decades and continents, as Louisa and her American mother, Anne, struggle to cope with their grief and the mystery of his vanishing. This sits against the complex geopolitical backdrop of the late 20th century, particularly focusing on the lives of Korean immigrants in Japan and the unsettling history of North Korea.

The Ministry of Time is a science fiction romance (with distinct thriller tropes on top of that), focusing on an unnamed civil servant working for the titular government agency in a near-future version of London. She is serving as a ‘bridge’ to one of an initial batch of time travellers, who have been ‘rescued’ from various significant points in history at the moment of their historical deaths. Her ‘expat’ (the name the government gives to the travelers, politically chosen in favour of ‘refugees’) is Graham Gore, a ship commander on board Sir John Franklin’s lost expedition to the Arctic in the 1840s.

Soldier Sailor is a brief but intense novel told by a mother (the titular ‘Soldier’) and addressed to her son (who she calls ‘Sailor’). Its not entirely clear from what remove it’s being written - the narrative jumps around so much that it’s hard to be certain - but it focuses on Sailor’s first two or three years of life, during which the narrator is practically fighting for survival as she struggles with the everyday demands of motherhood. She is left, like so many mothers, bearing virtually all of the work of bringing up her son, while her husband goes to work, watches football, and - most egregiously of all - sleeps. Through a series of traumatic vignettes (none more so than the novel’s opening section - in which she briefly abandons her child, having written a suicide note to him) we learn of Soldier’s despairing sense of alienation from the previous version of herself, who she sees as lost to the all-consuming mother who has replaced her. Throughout, though, there is also a near-unbearable sense of the desperate love of mother for child, culminating in a lyrical, beautiful final section in which Soldier contemplates their inevitable future separation: in spite of all the trauma of the present moment, the real source of fear in her life.