River East, River West takes the form of two parallel narratives, as two characters experience contrasting moments in the recent history of China. The more autobiographical section, set initially in 2007 (shortly before the Financial Crisis), introduces us to 14-year-old Alva, the daughter of American expat and failed actress Sloan, as she navigates being a ‘laowai’ in a Chinese high school and looks on enviously at those attending American expat schools nearby.

Rare Singles is a slim novel focusing on Earlon ‘Bucky’ Bronco, a seventy-something Black man living in Illinois, who cut a few soul records as a teenager but has spent much of the recent of his life working dead-end jobs and devoting his life to his wife Maybellene, who has recently died. Out of the blue, he receives a request to travel to Scarborough, a fading seaside resort in Northern England, to play a comeback show at a Northern Soul Weekender. Unbeknownst to Bucky, who was paid a derisory flat fee for his initial recordings so has no way of tracking their afterlives, his two ‘rare singles’ have become loved and treasured in the Northern Soul scene, which gave another life to many obscure releases from US soul singers on the Northern-English dancefloors (and to some extent, the UK charts) of the 70s and beyond.

Mrs Gulliver is set in the 1950s, on the fictional Verona Island, which seems to be off the coast of the US, in the Carribbean. Here, prostitution is legal, and Lila Gulliver (not her real name) runs one of the island’s more reputable establishments. She cares for her ‘girls’, and they live an ostensibly convivial and communal life in her ‘house’ in the centre of town, albeit one in the shadow of both local criminal gang warfare and the ever-present threat to its girls’ safety from its male clientele. The novel begins with Mrs Gulliver being introduced to the Bercy sisters, destitute following the death of their formerly prosperous (but latterly penniless) uncle. The younger sister, Carità, is both beautiful and, intriguingly to Gulliver and her ‘majordomo’ Brutus, blind. She is taken on board, with Mrs Gulliver evidently feeling a special responsibility for her welfare.

Cuddy begins with the death of its eponymous hero, St. Cuthbert of Lindisfarne, in 687, and thereafter takes us on a wild and eclectic ride through the centuries, giving us an alternative history of the North-East of England , over which the venerated saint’s influence looms large. Casting an equally grand shadow over the novel is Durham Cathedral, Cuddy’s burial place. The novel is split into four sections and an interlude, the first of which (‘Saint Cuddy’, taking place in 995) follows a band of monks as they carry the saint’s corpse around the North for decades (his body having been evacuated from the island of Lindisfarne in order to protect it from desecration by invading Danes).

Help Wanted takes place in a large chain "big-box" store in upstate New York, and shifts focus between the employees of its "Movement" (aka Logistics) team as they race to complete their repetitive tasks in the early hours of the morning, snark about their awful middle-manager Meredith, and eventually plot to attempt to have her replaced.

Caledonian Road is set largely on and around the titular thoroughfare, which heads northwards from near London’s King’s Cross station. Its action takes place in the very recent past, in a year’s period between early 2021 (and the ending of major Covid restrictions) and early 2022 (with Russian’s invasion of Ukraine on the imminent horizon). It’s introduced (at least in this pre-release version) by an extensive list of characters, setting the tone for the sprawling, somewhat Dickensian nature of the 600-ish pages to follow. At its undoubted centre, though, is the aging white liberal academic Campbell Flynn, clearly something of a proxy for the author. Having worked his way up in society from humble Glaswegian roots, through a combination of academic achievement and marriage into minor aristocracy, Campbell is a lecturer at UCL, a published art historian (most recently of an acclaimed life of Vermeer), sometime glossy magazine columnist and podcaster. Yet he senses shifting sands in society, and mostly the ones that uphold everything that he holds dears. Campbell, like the liberal intelligentsia he represents, is in crisis. And so, it seems, are his city and his country.

Fast By The Horns is set in the Bristol neighbourhood of St. Pauls in 1980. It focuses on Jabari, the 14-year-old only son of the Rasafarian community leader Ras Levi. He exists in a clearly very close-knit community, but one that is constantly beaten down by corrupt policing and lack of council investment. Ras Levi and his fellow Rastafarians in the community, including of course Jabari, dream of repatriation to the Ethiopian motherland, though others in the community mock their ambitions and urge them to engage with the political realities of life in the UK. Amidst the violence and daily struggles with police brutality, Jabari's encounter with a young girl formerly from St. Pauls, who we find has been placed in the care of a white family in a neighbouring affluent area, provides a tender and emotional thread at the centre of the novel.

Pity is a short novel that trains its eyes on the former mining town of Barnsley, near to Sheffield in northern England. It focuses on three generations of the same family, covering the late twentieth century up to the present day (or thereabouts), and almost exclusively focusing on the men of the family.

The Fraud is a historical novel set across the nineteenth century and focusing on two apparently disconnected real-world storylines. One is the story of the Tichbourne Claimant, one of the longest trials in British legal history in which a butcher in Wagga Wagga, Australia comes forward claiming to be the presumed-dead minor British aristocrat Sir Roger Tichbourne. The other is the story of forgotten British novelist William Harrison Ainsworth, who mixes with a literary milieu including the likes of Dickens and Thackeray, has early-career success with ‘scandalous’ novels, one of which outsells Oliver Twist, but by the bulk of the novel’s story has fallen on tougher times and is something of a critical laughing stock.

The Bee Sting is something of an epic at 600+ pages, focusing on a fairly affluent family in small-town Ireland, in the aftermath of the 2008 Financial Crash. It's a novel of perspectives, with its lengthy first four sections each seen through the eyes of a different family member.

Demon Copperhead is an epic retelling of Charles Dickens’ David Copperfield, transplanted to the recent history of the USA, and specifically Appalachia. It’s told through the eyes of its title character (real name Damon Fields) who we first meet as a child born into poverty, looked after by his addict mother in :Lee County, Virginia. Its plot closely follows that of its source material, particularly in the early stages where Demon first struggles with an abusive stepfather and is then orphaned, becoming thrown into a cycle of disastrous foster homes that wear him down to the point where it seems he can go no lower.

Erasure focuses on the author Thelonius “Monk” Ellison. In the mid-1990s, we find him in a rut with his writing, tired of being told by those around him in the publishing industry that he’s “not black enough". He’s an academic and his work reflects his own interests, such as modern retellings of Greek satires, and pissing off those around him with provocations that are of deeply niche interest - such at his lecture which parodies Barthes’ S/Z in the style of Barthes’ S/Z (a provocation to the average reader of Erasure, too, when this lecture is reproduced in exhaustive detail early in the book!) Outside of his writing, he’s dealing with everyday realities of life: a mother succumbing to Alzheimers, a brother who comes out of the closet - destroying his marriage, and a sister who pays the ultimate price for her work at an abortion clinic.

My Name is Lucy Barton introduces the New York-based author of its title. We find her recovering from an infection in hospital, where she is visited by her mother. Through their awkward but often moving interactions, and Lucy’s interior reflections, we learn - slowly, through drips of information - about Lucy’s troubled upbringing in the isolated rural town of Amgash, Illinois.

Oh William! returns to life of author Lucy Barton, heroine of Strout’s 2016 novel.  We find her a little later in life, having recently been widowed following the death of her second husband David.  Much of this novel focuses on her relationship with her first husband William, who also remarried but is left alone again part-way through the book.  Lucy herself is now a successful novelist, comfortable in New York and far away from her troubled childhood in Amgash, Illinois. 

Alias Grace is based on the true story, well known in Atwood’s Canada, of the murders of Thomas Kinnear and his housekeeper Nancy Montgomery in 1843. Atwood focuses mainly on one of the accused murderers, Grace Marks, a servant in Kinnear’s household along with James Montgomery, who was hanged for the murders while Grace was sentenced to life.  

The Bottle Factory Outing focuses on two young women who live together in a bedsit in North London, while both also working as labellers in a wine-bottling factory. The factory is owned by the Italian Mr Paganotti, who filled most of the factory’s roles with Italians from his hometown who feel indebted to him as a result. In this space, the two English women are relative outsiders, treated with a mixture of suspicion and reverence by the Italian men.  

The Stone Diaries is an epic covering the life of one woman, Daisy Goodwill Flett, over the course of almost the entire twentieth century. Beginning with her birth in 1905, during which her mother dies, it catches up with Daisy at regular(ish) intervals through the century, covering her early life raised by her aunt Clarentine, her early marriage to the alcoholic Harold Hoad, a second marriage to a much older man (previously her ward, Barker Flett), parenthood and gradual decline through to her death in Florida in her nineties.

widow and resident of the town for around ten years, decides to open a bookshop in an abandoned seafront property known as The Old House, which is damp, decaying and apparently haunted by a "rapper" (poltergeist). She faces opposition from influential (and rich) local resident Mrs Gamart, who despite having shown negligible interest in the Old House previously, declares that she wants to use the location to set up an arts centre.

Young Mungo is a book that very much continues where Shuggie Bain left off. It’s not a sequel, but if you squinted a bit, it certainly could be. The world is the same - the grinding poverty of the Glasgow tenements in the late twentienth century, Shuggie’s Sighthill looming over the background of various scenes. The central character is again a boy coming to terms with his sexuality in unforgiving circumstances, while simultaneously devoting much of his love and energy to an alcoholic mother, with the same complement of older siblings as Shuggie. In short, if you loved his debut, you’re not going to find yourself wildly thrown off by the contents of this one. There are, of course, differences. Mungo is a fair bit older than Shuggie, already somewhat adapted to the reality he needs to at least try to fit into; similarly devoted to his disastrous mother, but less reliant on her and therefore slightly more open to possibilities beyond her world; and with at least sense of the possibility of escape.

A Spell of Winter is a gothic novel set in wealthy rural England in the years before World War I. It focuses on two siblings, Cathy and Rob, who live with their grandfather after their parents have departed in initially mysterious circumstances. They are brought up mainly by a servant, Kate, and taught by their hated governess Miss Gallagher, who appears to have an unhealthy fascination with Cathy.